Malibu, J. Paul Getty Museum, Ms. Ludwig IX 19, f. 58v: The Baptism of Christ (detail) door Simon Bening

Literatuur “M”

Direct link to:

Milliard 2013 (Kirsten 
L. 
Milliard, Architecture in the design and content of the Odbert Psalter (Boulogne‐sur-Mer,
Bibliotheque Municipale, Ms 20)

Mainz 1990

tentoonstellingscatalogus

Albrecht von Brandenburg. Kurfürst, Erzkanzler, Kardinal. 1490-1545. Zum 500. Geburtstag eines deutschen Renaissancefürsten, uitgegeven door Berthold Roland, Mainz, 1990) (*)

Male 1924

Emile Male, L’Art religieux du XII siècle en France, Parijs, Librairie Armand Colin, 1905, 2e herdruk 1924

Male 1925 (1)

Emile Male, L’Art religieux du XIII siècle en France, Parijs, Librairie Armand Colin, 1905, 6e herdruk, 1925

Male 1925 (2)

Emile Male, L’Art religieux de la fin du moyen age en France, Parijs, Librairie Armand Colin, 1908, 3e herdruk, 1925

Male & Pognon 1946

Emile Male & Edmond Pognon, Jean Bourdichon, Les heures d’Anne de Bretagne, Editions Verve, 1946

Malibu 2015

tentoonstellingscatalogus

Touching the Past: The Hand and the Medieval Book, Malibu, 2015 (*)

Malibu-London 2005-2006

tentoonstellingscatalogus

A Masterpiece reconstructed. The Hours of Louis XII, uitgegeven door Thomas Kren & Mark Evans, met bijdragen van Janet Backhouse, Thomas Kren, Mark Evans en Nancy Turner, J. Paul Getty Museum & British Library i.s.m. Victoria and Albert Museum, Malibu-London 2005-2006

Malibu-New York-London

1983-1984

tentoonstellingscatalogus

Renaissance painting in manuscripts, treasures from the British library, uitgegeven door Thomas Kren, Londen, 1983

Malo 1946

H. Malo, Les heures d’Etienne Chevalier, 1946 (*)

Manchester 1960

tentoonstellingscatalogus Exhibition of Art from Private Collections in the North West and North Wales, Manchester City Art Gallery, 1960 (*)

Manchester 1976

tentoonstellingscatalogus Medieval and early renaissance Treasures in the North West, Whitworth Art Gallery, University of Manchester, 1976 (*)

Mandach 1907

C. de Mandach, Conrad Witz et son retable de Genève, in : Gazette des Beaux-Arts 37 (1907), p. 353-384 (*)

Manion 1981

Margaret M. Manion, The Warncliffe Hours. A Fifteenth-Century illumina-ted prayerbook in the collection of the National Gallery of Victoria, Australia, London, 1981 (*)

Manion 1991

Margaret M. Manion, “Art and Devotion: the Prayer-Books of Jean de Berry, in: Margaret Manion & Bernard J. Muir, Medieval Texts and Images: Studies of Manuscripts from the Middle-Ages, Chur, 1991 (*)

Manion 1998

Margaret M. Manion, “Women, Art and Devotion: Three French Fourteenth-Century Royal Prayer Books”, in: Margaret M. Manion & Bernard J. Muir, The Art of the Book: Its Place in Medieval Worship, Exeter, 1998, p. 21-66

Manion & Vines 1998

Margaret M. Manion & Bernard J. Muir, The Art of the Book: Its Place in Medieval Worship, Exeter, 1998

Manion & Vines 1984

Margaret M. Manion & Vera F. Vines, Medieval and Renaissance Illuminated Manuscripts in Australian Collections, Thames and Hudson, Melbourne, 1984

Mann 1975

N. Mann, Petrarch Manuscripts in the British Isles, Padua, 1975 (*)

Mantua 1966

Tentoonstellingscatalogu:

Mostra dei Codici Gonzagheschi 1328-1450, catalogus door U. Meroni, Biblioteca  Comunale, Mantua, 1966 (*)

Manzari 2006

Francesca Manzari, La Miniatura ad Avignone al Tempo dei Papi (1310-1410) (Modena: Franco Cosimo Panini, 2006) (*)

Marburg 1928

tentoonstellingscatalogus

Religiöse Kunst aus Hessen und Nassau, Marburg, 1928 (*)

Mariani Canova 1968

Giordana Mariani Canova, “Per Leonardo Bellini”, in: Ars veneta 22 (1968), p. 9-20 (*)

Mariani Canova 1969

Giordana Mariani Canova, La Miniatura veneta del Rinascimento, 1450-1500.  Profili e saggi di arte veneta 7. Venetië, Alfieri, 1969 (*)

Mariani Canova 1973

Giordana Mariani Canova, “Il recupero di un complesso librario dimenticato: I corali di S. Giorgio Maggiore in Venezia”, in: Ars veneta 27 (1973), p. 38-64 (*)

Mariani Canova 1978

Giordana Mariani Canova, Miniature dell’Italia settentrionale nella Fondazione Giorgio Cini, Venetië, 1978 (*)

Mariani Canova 1978a

Giordana Mariani Canova, “Un illustre serie liturgica ricostruita: il corali del Bessarione gia all’Annunziata di Cesena”, in: Saggi e Memorie di Storia dell’Arte 11 (1978), p. 9-145 (*)

Mariani Canova 1984

Giordana Mariani Canova, “Girolamo da Cremona in Veneto: una nuova ipotesi per l’antifonario dei Santi Cosma e Damiano”, in: Studi di storia dell’arte in memoria di Mario Rotili, Napels, 1984, p. 331-346 (*)

Mariani Canova 1988

Giordana Mariani Canova, “Nuovi contributi per Giovanni Vendramin, miniatore padovano”, in: Miniatura I (1988), p. 81-109 (*)

Mariani Canova 1988 (2)

Giordana Mariani Canova, “Da Bologna a Padova, dal manoscritto alla stampa : Contributi alla storia dell’illustrazione degli incunaboli giuridici”, in: Rapporti tra le universita di Padova e Bologna (Contributi alla storia dell’Universita di Padova, 20), Padua, 1988, p. 25-69 (*)

Mariani Canova 1990

Giordana Mariani Canova, “La miniatura nei libri liturgici marciani”, in: Musica e liturgia a San Marco, Testi e melodie per la liturgia delle ore dal XII al XVII secolo. Dal graduale tropato del Duecento ai graduali cinquecenteschi, I, uitgegeven door G. Cattin, Venetië, 1990, p. 149-188 (*)

Mariani Canova 1995

Giordana Mariani Canova, Guglielmo Giraldi miniatore estense, Franco Cosimo Panini, Modena, 1995 (*)

Mariani Canova & Cattin 1981

G. Mariani Canova & G. Cattin, “Un prezioso Antifonario veneziano del Duecento: miniature, liturgie e musica”, in: Arte Veneta 35 (1981), p. 9-26 (*)

Markl 1983

Dagoberto Markl, Livro de horas de D. Manuel, Lissabon, 1983 (*)

Marks & Morgan 1981

Richard Marks & Nigel Morgan, Engelse miniaturen, Uitgeverij Het Spectrum Utrecht/Antwerpen, 1981

Marks & Williamson 2003

Gothic Art for England 1400-1547, ed. by Richard Marks and Paul Williamson (London: Victoria and Albert Museum, 2003 (*)

Marrow 1968

James H. Marrow, Dutch manuscript illumination before the master of Catherine of Cleves, in: Nederlands Kunsthistorisch Jaarboek 1968, p. 51-114

Marrow 1979

James H. Marrow, Passion Iconography in Northern European Art of the Late Middle Ages and early Renaissance, Van Ghemmert Publishing Company, Kortrijk, 1979

Marrow 1983

James H. Marrow, “Nikolaus Glockendon and Simon Bening: German Copies of the Evangelist Portraits in Bening’s Stockholm Book of Hours”,  in: Bulletin of the Stockholm National Museum 7 (1983), p. 93-101 (*)

Marrow 1984

James H. Marrow, “Simon Bening in 1521: a Group of Dated Miniatures”, in: Liber Amicorum Herman Liebaers, Brussel, 1984, p. 537-559 (*)

Marrow 1991

James H. Marrow, Dutch manuscript painting in context: encounters with the art of France, the Southern Netherlands and Germany, in: Masters and Miniatures 1991, p. 53-88

Marrow 1994

James H. Marrow, The hours of Simon de Varie, Thames & Hudson, Londen 1994

Marrow 1995

James H. Marrow, As Horas de Margarida de Cleves. The Hours of Margaret of Cleves. Lisboa, 1995

Marrow 2002

James H. Marrow, Une Page inconnu des Heures du Turin, in: Revue de l’art 135 (2002), p. 67-76) (*)

Marrow 2002 (2)

James H. Marrow, ‘The Pembroke Psalter-Hours’, in ’Als Ich Can’: Liber Amicorum in Memory of Professor Dr. Maurits Smeyers, ed. by Bert Cardon and others, 2 vols (Paris: Uitgeverij Peeters, 2002), pp. 861-902

Marrow 2003

James H. Marrow, Liber Precum, Codices Selecti Vol CVIII, Adeva, Graz 2003) (*)

Marrow 2005

James H. Marrow, Pictorial Invention in Netherlandish Manuscript Illumination of the Late Middle Ages, The Play of Illusion and Meaning, Corpus of Illuminated Manuscripts vol 16, Low Countries Series II, Peeters, 2005

Marrow 2006

James H. Marrow, ‘Scholarship on Flemish manuscript illumination of the renaissance: Remarks on past, present, and future,’ in Flemish Manuscript Painting in Context: Recent Research, ed. Elizabeth Morrison and Thomas Kren (Los Angeles: The J. Paul Getty Museum, 2006), pp. 163–76

Martens 1929

Bella Martens, Meister Francke, Hamburg, 1929 (*)

Martens 2002

Maximiliaan P. J. Martens, ‘The Master of Guillebert de Mets: An Illuminator between Paris and Ghent?’, in ’Als Ich Can’: Liber Amicorum in Memory of Professor Dr. Maurits Smeyers, ed. by Bert Cardon and others, 2 vols (Parijs: Uitgeverij Peeters, 2002), pp. 921-39

Martin 1885-1899

H. Martin, Catalogue des manuscrits de la Bibliothèque de l’Arsenal, 8 vols., Paris, 1885-1899 (*)

Martin 1906

H.M.R. Martin, Les miniaturistes français, Parijs, 1906

Martin 1909 (1)

H.M.R. Martin, Les peintures de manuscrits et la miniature en France, Parijs, 1909 (*)

Martin 1909 (2)

H.M.R. Martin, « Un Caricaturiste du temps du roi Jean : Pierart dou Tielt », in : Gazette des Beaux-Arts, 2e série, t. 51 (1909), p. 89-102 (*)

Martin 1917

H.M.R. Martin, «Jean Hennecart, peintre de Charles le Téméraire », in: Gazette des Beaux-Arts 13 (1917), p. 155-172 (*)

Martin 1923

H.M.R. Martin, La miniature française du XIIIe siècle au XVe siècle, Parijs, 1923

Martin 1928

H.M.R. Martin, Les Joyaux de l’enluminure a la Bibliothèque nationale, Parijs, 1928

Martin & Lauer 1929

H. Martin & Ph. Lauer, Les principaux manuscrits a peintures de la Bibliothèque de l’Arsenal, Paris, 1929 (*)

Martin et al 2000

Henri-Jean Martin et. al., La naissance du livre moderne (XIVe-XVIIIe siècles). Mise en page et mise en texte du livre français, Parijs, 2000 (*)

Marubbi 1989

Mario Marubbi, In: Codici e incunaboli miniati della Biblioteca Civica di Bergamo, Milaan, 1989 (*)

Masai 1960

F. Masai, Les manuscrits a peintures de Sambre et Meuse aux XIe et XIIe siècles. Pour une critique d’origine plus méthodique: Cahiers de civilisation médiévale 3, 1960 (*)

Masai & Wittek 1968

F. Masai & M. Wittek, Manuscrits datés conservés en Belgique, Brussel & Gent, 1968 (*)

Mason 1931

A. Mason, « Le Tite-Live de Bordeaux l’atelier du maitre aux boqueteaux », in: Tresors des bibliothéques de France 31 (1936), p. 11-33 (*)

Masson 1959

André Masson, « Le Cérémonial de Bordeaux et les Manuscrits décorés par les Rousselets », in: Actes du quatre-vingt-deuxième Congres Nationale des Sociétés Savantes, Bordeaux, 1957, Parijs, 1959, p. 165 e.v.) (*)

Mathews & Wieck 1994

Thomas F. Mathews and Roger S. Wieck, Treasures in Heaven/Armenian Illuminated Manuscripts, New York, 1994

Maunde Thompson 1895 (1)

E. Maunde Thompson, English Illuminated Manuscripts, London, Kegan Paul, 1895 (*)

Maunde Thompson 1895 (2)

E. Maunde Thompson, ‘English Illuminated Manuscripts from the Twelfth to the Fourteenth Century’, Bibliographica, 1 (1895) (*)

Maunde Thompson 1896

E. Maunde Thompson, ‘The Grotesque and the Humorous in Illuminations of the Middle Ages’, Bibliographica, 2 (1896) (*)

Mayr-Harting 1991

Henry Mayr-Harting, Ottonische Buchmalerei. Liturgische Kunst im Reich der Kaiser, Bisschöfe und Abte, Belser Verlag, Stuttgart, 1991

Mayr-Harting 1999

Henry Mayr-Harting, Ottonian Book Illumination: An Historical Study, 2e uitgave, 2 vols., Harvey Millar, Londen, 1999 (*)

Mazal 1975

Otto Mazal, Buchkunst der Gotik, Graz, Akademische Druck und Veragsanstalt, 1975 (*)

Mazal 1978

Otto Mazal, Buchkunst der Romanik, Buchkunst im Wandel der Zeiten, Band 2, Adeva, Graz, 1978

Mazal 1980

Otto Mazal, Schatzkammer der Buchkunst, Pflegestätte der Wissenschaft. Die Handschriften- und Inkunabelsammlung der Osterreichischen Nationalbibliothek, Graz, 1980 (*)

Mazal 1986

Otto Mazal, Prinz Eugens schönste Bücher, Hand-schriften aus der Bibliothek des Prinzen Eugen von Savoyen, Adeva, Graz, 1986

Mazal 1988

Otto Mazal, Der Aristoteles des herzogs von Atri, Adeva, Graz, 1988

McDonald 1991

McDonald, Katherine, “Et Verbum Caro Factum Est: The Prayer-book of Michelino da Besozzo,” in: Margaret Manion & Bernard J. Muir, Medieval Texts and Images: Studies of Manuscripts from the Middle-Ages, Chur, 1991, p. 201-206 (*)

McKendrick 1996

Scot McKendrick, ‘Illustrated Manuscripts of Vasco da Lucena’s Translation of Curtius’s Historiae Alexandri Magni: Nature Corrupted by Fortune’, in Medieval Manuscripts of the Latin Classics: Production and Use, ed. by Claudine A. Chavannes-Mazel and Margaret M. Smith (Leiden: Anderrson-Lovelace and the Red Gull Press, 1996), pp. 131-50 (*)

McKendrick 2003

Scot McKendrick, Flemish Illuminated Manuscripts 1400-1550, London, British Library, 2003 (*)

McKendrick 2013

Scot McKendrick, ‘The Manuscripts of Edward IV: The Documentary Evidence’, in: 1000 Years of Royal Books and Manuscripts, ed. by Kathleen Doyle and Scot McKendrick (London: The British Library, 2013), pp. 149-77 (*)

McKendrick & Doyle 2007

Scot McKendrick &Kathleen Doyle, Bible Manuscripts: 1400 Years of Scribes and Scripture, London, British Library, 2007 (*)

McKendrick & Doyle 2010

Scot McKendrick &Kathleen Doyle, The Art of the Bible: Illuminated Manuscripts from the Medieval World (London: Thames and Hudson, 2016)

McKendrick & Doyle 2011

Scot McKendrick &Kathleen Doyle, Royal Illuminated Manuscripts from King Athelstan to Henry VIII, London, British Library, 2011

McKitterick 1996

Rosamond McKitterick, The Historical Context: Carolingian Wealth, Faith and Culture, in: The Utrecht Psalter in medieval art. Picturing the psalms of David, Utrecht, 1996, p. 1-21

McMunn 1999

Meredith McMunn, a Fragment of an unknow manuscript of the Roman de la Rose, in: Princeton University Library Chronicle 60-2 (1999), 276-303 (*)

Medica 1992

Massimo Medica, “Aggiunte al Maestro del Messale Orsini e ad altri miniatori bolognesi tardogotici”, in: Arte a Bologna 2 (1992), p. 11-30 (*)

Medica 1993

Massimo Medica, “In margine all’attivita bolognese di Taddeo Crivelli: il caso del ‘Maestro del Libro dei notai’, in: Arte a Bologna 3 (1993), p. 121-128 (*)

Medica 1999

tentoonstellingscatalogus

Haec Sunt Statuta: Le corporazioni medievali nelle miniature bolognesi, Rocca medievali Boncompagni, uitgegeven door Massimo Medica, Modena, 1999 (*)

Medica 2011

Massimo Medica, “Un nome per il Maestro delle Iniziali di Bruxelles: Giovanni di fra Silvestro”, in: Arte a Bologna 7-8 (2011), p. 11-22 (*)

Medica 2012

Massimo Medica, “un missel Bolonais du temps du Grand Schisme”, in: Art de l’enluminure 2012-nr. 41 (Art de l’enluminure, juin-juillet-auut 2012, nr. 41

Medica & Toniolo 2016

Massimo Medica & Federica Toniolo, Le Miniature della Fondazione Giorgio Cini, SilvanaEditoriale, 2016

Meiss 1957

Millard Meiss, Andrea Mantegna as illuminator, Hamburg, 1957 (*)

Meiss 1963

Millard Meiss, “French and Italian Variations on an Early Fifteenth-Century Theme: St. Jerome and his Study”, in: Essai en l’honneur de Jean Porcher. Etudes sur les manuscrits a peintures, Gazette des Beaux-Arts, LXII (1963), p. 147-170 (*)

Meiss 1967

Millard Meiss, French painting in the time of Jean de Berry, the late fourteenth century and the patronage of the Duke, Phaidon, Londen, 1967

Meiss 1968

Millard Meiss, French painting in the time of Jean de Berry, the Boucicaut Master, Phaidon, Londen, 1968

Meiss 1970

Millard Meiss, The Master of the Breviairy of Jean sans peur and the Limbourgs, Londen, 1970 (*)

Meiss 1972

Millard Meiss, The de Lévis Hours and the Bedford Workshop, New Haven, 1972 (*)

Meiss 1974

Millard Meiss, French painting in the time of Jean de Berry, the Limbourgs and their contemporaries, Thames and Hudson, Londen, 1974

Meiss & Beatson 1974

Millard Meiss en Elisabeth H. Beatson, the belles heures of Jean, Duke of Berry, Braziller, New York, 1974; facsimile

Meiss & Kirsch 1972

Millard Meiss & Edith W. Kirsch, Getijdenboek voor de Visconti, Spectrum, Utrecht/Antwerpen, 1972

Meiss & Off 1971

Millard Meiss & Sharon Off, “The book keeping of Robinet Etampes and the chronology of Jean de Berry’s manuscripts”, in: The Art Bulletin LIII (1971), p. 225-235 (*)

Meisterwerke im  J. Paul Getty Museum 1997

Meisterwerke im  J. Paul Getty Museum. Illuminierte handschriften. Thames & Hudson, London,  1997

Melograni 1995

Anna Melograni, “Miniature inedite del Quattrocento lombardo nelle collezioni americane, Seconda parte”, in: Storia dell’arte 83 (1995), p. 5-27 (*)

Memphis, Tennessee 1966

tentoonstellingscatalogus

Miniatures from illuminated manuscripts: The Mortimer Brandt Collection, Memphis, Tennessee, 1966 (*)

Mentré 1996

Mireille Mentré, Illuminated Manuscripts of Medieval Spain, Thames and Hudson, London, 1996

Merkl 1999

Ulrich Merkl, Buchmalerei in Bayern in der ersten Hälfte des 16. Jahrhunderts, Spätblute und Endzeit einer Gattung, Schnell/Steiner, Regensburg, 1999

Merkl, Obhof & Neidl 2002

Ulrich Merkl, Ute Obhof & Michaela Neidl, Das deutsche Gebetbuch der Markgräfin von Brandenburg: Hs. Durlach 2, Badische Landesbibliothek Karlsruhe, Lucerne, Faksimile-Verlag, 2002 (*)

Meroni 1966

Zie Mantua 1966

Merton 1912/1923

A. Merton, Die Buchmalerei in St. Gallen, Leipzig, 1912, 2e oplage: 1923 (*)

Messling 2004

Guido Messling, “Leonhard Beck als Buchmaler. Eine Untersuchung zu zwei Hauptwerken der religiösen Buchmalerei Augsburgs vom Ende des 15. Jahrhunderts”, in: Münchener Jahrbuch der bildenden Kunst, Dritte Folge, 55 (2004), p. 73-114 (*)

Metz 1989

Metz enluminée, autour de la Bible de Charles le Chauve, trésors manuscrits des églises messines, Metz, 1989

Meuwese 1997

M. Meuwese, “Het illustreren van middeleeuwse handschriften. Jacob van Maerlant in kleur”, in: Jacob van Maerlant. De middeleeuwse wereld op schrift. Red. T. Brandenbarg, 1997 (*)

Meuwese 2001

M. Meuwese, Beeldend vertellen. De verluchte handschriften van Jacob van Maerlants `Rijmbijbel’ en `Spiegel Historiael’, proefschrift, Leiden 2001 (*)

Meyer 1996

H. Meyer, “die illustrierten lateinischen Handschriften im Rahmen der Gesamt überlieferung der Enzyclopädie des Bartholomäus Anglicus”, in: Frühmittelalterliche Studiën 30 (1996), p. 368-375 (*)

Michel 1905

Michel, Histoire de l’Art, I, Parijs, 1905 (*)

Milaan 1958

tentoonstellingscatalogus

Arte lombarda dai Visconti agli Sforza, Palazzo Reale, Milaan, 1958 (*)

Milaan 1988

tentoonstellingscatalogus

Palazzo Reale, Arte in Lombardia tra Gotico e Rinascimento, Milaan, 1988 (*)

Milaan 1991

tentoonstellingscatalogus

Le Muse et il principe, Arte di corte nel Rinascimento padano, Museo Poldi Pezzoli, 1991 (*)

Milanesi  1846-1857

G. Milanesi, Storia della Miniatura Italiana (Estratto ‘dal l’ediz. Le Monnier del Vasari), Firenze, 1846-57 (*)

Milanesi  1901

G. Milanesi, Nuovi documenti per la storia dell’arte toscana dal XII al XV secolo, Firenze, 1901 (*)

Milde 1972

Wolfgang Milde, Mittelalterliche Handschriften der Herzog August Bibliothek, Wolfenbüttel, Frankfurt, 1972 (*)

Millar 1923

E. G. Millar, The Lindisfane Gospels, British Museum, Londen, 1923 (*)

Millar 1924-1925

E. G. Millar, Les principaux manuscrits a peintures du Lambeth Palace Library  a Londres, Bulletin de la Société française de reproductions de manuscrits a peintures 9 (1924-1925) (*)

Millar 1926

E. G. Millar, English illuminated manuscripts of the Xth-XIII centuries, Van Oest, Parijs-Brussel, 1926

Millar 1927

E. G. Millar, The Library of A. Chester Beatty: a Descriptive Catalogue of the Westyern Manuscripts, Oxford, 1927 (*)

Millar 1928

E. G. Millar, English illuminated manuscripts of the XIVth and XVth centuries, Van Oest, Parijs-Brussel, 1928

Millar 1930

E. G. Millar, The Library of A. Chester Beatty, A Descriptive Catalogue of the Western Manuscripts, 2 banden, Oxford, 1930 (*)

Millar 1933

E. G. Millar, Souvenir de l’exposition de manuscrits français a peintures organisée a la Grenville Library (British Museum) en janvier-mars 1932: étude concernant les 65 manuscrits exposés, Parijs, 1933 (Publications de la Société française de reproductions de manuscrits a peintures 17) (*)

Millar 1939

E. G. Millar, “Additional Miniatures by W. de Brailes”, in: The Journal of the Walters Art Gallery, 1939, p. 106 e.v. (*)

Millar 1953

E. G. Millar, An illuminated Manuscript of La Somme le Roy attributed to the Parisian Miniaturist Honoré, Oxford, 1953 (*)

Millar 1954

E. G. Millar, ‘Fresh Materials for the Study of English Illumination’, in: Studies in Art and Literature for Belle da Costa Greene, ed. by Dorothy Miner, Princeton,  Princeton University Press, 1954 (*)

Millar 1959

E. G. Millar, the Parisian Miniaturist Honoré, Faber, Londen, 1959 (*)

Miller 1940

L.V. Miller, Catalogue of Books and Manuscripts in the Estelle Doheny Collection, 1940 (*)

Milliard 2013

Kirsten 
L.
Milliard, Architecture in the design and content of the Odbert Psalter (Boulogne‐sur-Mer,
Bibliotheque Municipale, Ms 20)

Miner 1949

Dorothy Miner, Illuminated Books of the Middle Ages and the Renaissance, Walters Art Gallery, Baltimore,  1949

Miner 1955

Dorothy Miner, “Dutch Illuminated Manuscripts in the Walters Art Gallery,” The Connoisseur Year Book, 1955 (*)

Miner 1958

Dorothy Miner, The Development of Medieval Illumination as related to the evolution of Book Design, Baltimore,  1958 (*)

Miner 1972

Dorothy Miner, Preparatory Sketches by the Master of Bodleian Douce ms. 185, in: Kunsthistorische Forschungen Otto Pächt zu ehren, p. 118-128, herausgegeben von Artur Rosenauer und Gerold Weber, Residenz Verlag, Salzburg, 1972

Moakley 1966

Gertrude Moakley, The Tarot Cards Painted by Bonifacio Bembo for the Visconti-Sforza Family: An Iconographic and Historical Study, New York, 1966 (*)

Modena 1999

tentoonstellingscatalogus

Haec Sunt Statuta: Le corporazioni medievali nelle miniature bolognesi, door Massimo Medica, Modena, 1999 (*)

Modena 1999

tentoonstellingscatalogus

Calligrafia di Dio. La Miniatura celebra la Parola, Modena, 1999

Molinier & Desvernier 1900

Molinier & Desvernier, Catalogue général des manuscrits des bibliothèques publiques de France: Départements, vol. XXX, Lyon, 2 vols., Parijs, 1900 (*)

Monks 1988

Peter Rolfe Monks, ‘Two Parisian artists of the Dunois Hours and a Flemish motif’, Gazette des Beaux-Arts, 112 (1988), p. 61-68 (*)

Moodey 2014

Elizabeth Moodey, “Variations on grisaille in a newly acquired prayerbook (Princeton Ms. 223)”, in: Manuscripta Illuminata. Approaches to understanding Medieval & Renaissance manuscripts, edited by Colum Hourihane, Princeton, 2014

Morand 1954

Edmond Morand, La ville de Riom et la fête de mai dans les Très Riches Heures du duc de Berry, in: Bulletin de l’académie des sciences, belles-lettres et arts de Clermont-Ferrand 1954, p. 54-61 (*)

Morello 1988

Giovanni Morello, Libri d’Oro della Biblioteca Apostolica Vaticana, 1988 (*)

Morello 1997

Giovanni Morello, Ausstellung Illustrierte Klassiker. Miniaturen. Bilder aus den kostbarsten Kodizes des Mittelalters und der Renaissance, Belser Verlag, Stuttgart-Zürich, 1997

Morello & Kanter 1999

Giovanni Morello en Laurence B. Kanter, The treasury of Saint Francis of Assisi, Milaan, 1999

Morello & Maddolo 1995

G. Morello & S. Maddolo, Liturgia in figura, Codici liturgici rinascimentali della Biblioteca Vaticana, 1995 (*)

Moretti 1958

L. Moretti, “Di Leonardo Bellini, pittore e miniature”, in: Paragone 99 (1958), p. 58-66 (*)

Morey & Jones 1931

Ch. R. Morey and L.W. Jones, The miniatures of the Manuscripts of Terence Prior to the Thirteenth Century, Princeton, 1931 (*)

Morgan 1982-1988

N. Morgan, Early Gothic Manuscripts, 2 vols. A Survey of Manuscripts illuminated in the British Isles 4, Oxford and London, 1982-1988 (*)

Morgan 2002

N. Morgan, ‘The Decorative Ornament of the Text and Page in Thirteenth-century England: Initials, Border Extensions and Line Fillers’, in: Decoration and Illustration in Medieval English Manuscripts, English Manuscript Studies 1100-1700, 10, London: British Library, 2002, pp. 1-33 (*)

Morgan & Panayotova 2009

Nigel Morgan & Stella Panayotova, with the assistance of Martine Meuwese, Elisabeth New, Suzanne Reynolds, Hanna Vorholt, Andrea Worm, A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part I. Vol. 1: The Frankish Kingdoms, Northern Netherlands, Germany, Bohemia, Hungary, Austria; Vol. II: The Meuse Region, Southern Netherlands. London: Harvey Miller / Brepols (*)

Morrison 2006

Elizabeth Morrison, “Iconographic Originality in the Oeuvre of the Master of the David Scenes”, in: Elizabeth Morrison & Thomas Kren, Flemish Manuscript Painting in Context, Recent Research, Based on symposia held at the J. Paul Getty Museum, Los Angeles (September 5-6, 2003), and at the Courtauld Institute of Art, London (February 21, 2004), The J. Paul Getty Museum, Los Angeles, 2006, p. 149-162

Morrison 2014

Elizabeth Morrison, “Marriage, Death and the Power of Prayer. The Hours of Denise Poncher”, Getty Research Journal 6 (2014), p. 143-150 (*)

Morrison 2015

Elizabeth Morrison, “Une acquisition du Musee J. Paul Getty, une decouverte”, in: Art de l’enluminure 2015, nr. 52

Morrison 2018

Elizabeth Morrison, A Knight for the Ages – Jacques de Lalaing and the Art of Chivalry, 2018 (*)

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L. Mortara Ottolenghi, “The Illumination and the Artists”, in: The Rotschild Miscellany, Londen, 1989, p. 252-272

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Mugnier 1894

F. Mugnier, Les Manuscrits a miniatures de la Maison de Savoie, Moutiers-en-Tarentaise, 1894 (*)

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Pierre Luigi Mulas, « Six antiphonaires ambrosiens enluminés », in: Art de l’enluminure 2007-2008-nr. 23 (Art de l’enluminure, dec. 2007/jan-febr. 2008, nr. 23: Six Manuscrits Liturgiques de la Renaissance

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Pierre Luigi Mulas, Giovanni Giacomo Decio: il miniatore dei corali di Vigevano, 2009 (*)

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F. Mütherich, “Die Buchmalerei am Hofe Karls des Grossen”, in: Karl der Grosse, Lebenswerk und Nachleben, III, Düsseldorf, 1965, p. 9-53 (*)

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Florentine Mütherich, zur Datierung des Aachener ottonischen Evangeliars, in: Aachener Kunstblätter, Band 32 (1966), p. 66-69 (*)

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Mütherich 1984

Florentine Mütherich in: Propyläen Kunstgeschichte 5, p, 127-152, 264-286, Propyläen Verlag, Berlijn 1984 (*), sonderausgabe 1990

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Florentine Mütherich, Carolingian Manuscript Illumination in Rheims, in: The Utrecht Psalter in medieval art. Picturing the psalms of David, Utrecht, 1996, p. 104-119

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Florentine Mütherich, “Die Erneuerung der Buchmalerei am Hof Karls des Grossen”, in: 799. Kunst und Kultur der Karolingerzeit. Karl der Grosse und Papst Leo III in Paderborn, 3. Beiträge zum Katalog der Ausstellung, 1999, p. 560-609