Malibu, J. Paul Getty Museum, Ms. Ludwig IX 19, f. 93v Judas Receiving the Thirty Pieces of Silver (detail) door Simon Bening

Literatuur “R”

Direct link tot:

Rejaie 2011 (Rejaie, Azar. “Late Medieval Self-Portraiture and Patronage in Pietro da Pavia’s Ambrosiana Pliny.”)

Rabel 1989

Claudia Rabel, `Artiste et clientèle a la fin du Moyen Age`, les manuscrits profanes du Maître de l’échevinage de Rouen’ in: Revue de l’Art LXXXIV (1989), p. 48-60 (*)

Raff 1978-1979

Thomas Raff, Die Ikonographie der mittelalterlichen Wind-personifikation, in: Aachener Kunstblätter band 48, 1978-1979

Rahir 1907

E. Rahir, “Manuscripts”, in: Catalogue of the Rudolfe Kann Collection, vol. III: objets d’Art, part 1 Middle Ages and Renaissance, Parijs, 1907 (*)

Rand 1929

E.K. Rand, A Survey of the Manuscripts of Tours, Cambridge, Mass., 1929 (*)

Randall 1966

Lilian M. C. Randall, Images in the Margins of Gothic Manuscripts, Berkeley, University of California Press, 1966

Randall 1974

Lilian M. C. Randall, “Flemish Psalters in the Apostolic Tradition”, in: Gatherings in honor of Dorothy E. Miner, Boston, 1974, p. 171-191

Randall 1989

Lilian M.C. Randall, Medieval and Renaissance Manuscripts in the Walters Art Gallery, Volume I: France 875-1420, John Hopkins University Press in association with the Walters Art Gallery, Baltimore and London, 1989

Randall 1992

Lilian M.C. Randall, Medieval and Renaissance Manuscripts in the Walters Art Gallery, Volume II (2 vols): France 1420-1540, John Hopkins University Press in association with the Walters Art Gallery, Baltimore and London, 1992

Randall 1997

Lilian M.C. Randall, Medieval and Renaissance Manuscripts in the Walters Art Gallery, Volume III (2 vols): Belgium, 1250-1530, John Hopkins University Press in association with the Walters Art Gallery, Baltimore and London, 1997

Regensburg 1996

tentoonstellingscatalogus

Bücherschätze in Regensburg. Frühe Drucke aus den Bestanden der Staatlichen Bibliothek, uitgegeven door Nikilaus Henkel, Regensburg, 1996 (*)

Regensburg 2010-2011

tentoonstellingscatalogus

Furtmeyr. Meisterwerke der Buchmalerei und die Regensburger Kunst in Spätgotik und Renaissance, uitgegeven door Christoph Wagner & Klemens Unger, Regensburg, 2010

Regensburger Buchmalerei 1987

Regensburger Buchmalerei von frühkarolingischer Zeit bis zum Ausgang des Mittelalters, Prestel-Verlag München, 1987

Reims 1967

Les plus beaux manuscrits de la Bibliothèque de Reims, Reims, 1967 (*)

Reims 1978

Trésors de la Bibliothèque de Reims, Reims, 1978

Rejaie 2011

Azar Rejaie, Late medieval self-portraiture and patronage in Pietro da Pavia’s Ambrosiana Pliny, in: Authorship 1 (1), 2011

Renger 1991

Marta O. Renger, “Some Distinctive Utrecht Workshop Procedures around 1400”, in Masters and Miniatures: Proceedings of the Congress on Medieval Manuscript Illumination in the Nothern Netherlands (Utrecht, 10-13 December 1989), ed. by Koert van der Horst and Johann-Christian Klamt (Doornspijk: Davaco, 1991, pp. 315-26)

Reudenbach 1998

Bruno Reudenbach, Das Godescalc-Evangelistar – Ein Buch für die Reformpolitik Karls des Grossen, Frankfurt a.M., 1998 (*)

Reynaud 1965

N. Reynaud, “La Résurrection de Lazare et le maitre de Coëvity”, in : La Revue du Louvre et des Musées de France 15 (1965), p. 72-114 (*)

Reynaud 1973

N. Reynaud, “Un paintre français cartonnier de tapisseries au XVe siècle : Henri de Vulcop”, in : Revue de l’Art 22 (1973), p. 6-21 (*)

Reynaud 1975

N. Reynaud, “Un peintre francais de la fin du quinzieme siecle: Le Maître des prélats bourguignons”, in: Etudes d’art français offertes a Charles Sterling, uitgegeven door Albert Chatelet en Nicole Reynaud, Parijs, 1975, p. 95-104 (*)

Reynaud 1982

N. Reynaud,  “Un nouveau manuscrit attribué à Enguerrand Quarton”, in: Revue de l’Art 57 (1982) 61-66 with plates of ff. 57, 62, 72, 78, 81, 138

Reynaud 1989

N. Reynaud, “Barthélémy d’Eyck avant 1450″, in : Revue de l’Art 84 (1989), p. 22-43

Reynaud 1999

N. Reynaud, “Les Heures du chancelier Guillaume Jouvenel des Ursins et la peinture parisienne autour de 1440″, in: Revue de l’Art 126 (1999), p. 22-35

Reynaud 2006

N. Reynaud, Jean Fouquet, Les Heures d’Etienne Chevalier, Dijon, 2006 (*)

Reynolds 1986

Catherine Reynolds, The Salisbury Breviary (Paris BN ms lat 17294) and some related manuscripts. Diss. Courtauld Institute of Art, University of London, 1986 (*)

Reynolds 1988

Catherine Reynolds, ‘Illustrated Boccaccio Manuscripts in the British Library (London), ‘ Studi sul Boccaccio, 17 (1988), p. 113-181 (*)

Reynolds 1994

C. Reynolds, “English patrons and French artists in fifteenth-century Normandy”, in: England and Normandy in the Middle Ages, uitgegeven door David Bates & Anne Curry, Londen, Hambledon Press, 1994, p. 299-313 (*)

Reynolds 2000

C. Reynolds, “The King of Painters”, in: S. Foister, S. Jones, D. Cool, Investigating Jan van Eyck, Turnhout, 2000, p. 1-16 (*)

Reynolds 2006

C. Reynolds, “The Workshop of the Master of the Duke of Bedford : Definitions and Identities”, in: G. Croenen & P. Ainsworth, Patrons, Authors and Workshops, Books and Book Production in Paris around 1400, Peeters, Leuven, 2006 (*)

Reynolds 2007

C. Reynolds, “Netherlandish Patterns in Fifteenth-Century Paris – Campin, van der Weyden and the Bedford Workshop’, in Von Kunst und Temperament, Festschrift zu Ehren Eberhard Königs 60. Geburtstag, ed. by Mara Hofmann and Caroline Zöhl (Turnhout: Brepols, 2007), p. 217-26 (*)

Reynolds 2013

C. Reynolds, ‘Makers of Royal Manuscripts: Court Artists in France and the Netherlands’, in: 1000 Years of Royal Books and Manuscripts, ed. by Kathleen Doyle and Scot McKendrick (London: The British Library, 2013), pp. 131-48 (*)

Reynolds 2015

Suzanne Reynolds, A Catalogue of the Manuscripts in the Library at Holkham Hall, Volume I. Manuscripts from Italy to 1500. Part I. Shelfmarks 1 – 399

Ricci 1912

C. Ricci, Pintoricchio, Perugia, 1912 (*)

Ricciardi & Panayotova 2017

Paola Ricciardi and Stella Panayotova, “Materials in the Fitzwilliam Book of Hours: New Discoveries”, in: Manuscripts in the Making, Art and Science
Volume one, S. Panayotova, P. Ricciardi (eds.), Brepols, 2017, p. 144-155

Rickert 1949

Margaret  Rickert, The illustrated manuscripts of Meester Dirc van Delf’s Tafel van den Kersten Ghelove, in: Journal of Walters Art Gallery, 12 (1949), p. 79-108 (*)

Rickert 1952

Margaret Rickert, The reconstructed Carmelite Missal, London, 1952 (*)

Rickert 1954

Margaret Rickert, Painting in Britain, The Middle Ages, Penguin Books, London, 1954

Rickert 1962

Margaret Rickert, ‘The so-called Beaufort Hours and York Psalter’, in: Burlington Magazine, 104 (1962), p. 238-48 (*)

Rimini 1995

tentoonstellingscatalogus

Neri da Rimini. Il Trecento riminese tra pittura e scrittura, Milaan 1995, (*)

Ring 1949

G. Ring, A Century of French Painting 1400-1500, Londen, 1949 (*)

Ringbom 1965

Icon to narrative. The rise of the dramatic close-up in fifteenth-century devotional painting, Abo, 1965 (*)

Ritter-Lafond 1913

G. Ritter, met medewerking van J. Lafond, Manuscrits a peintures de l’école de Rouen, Rouen-Paris, 1913 (*)

Roberts 2013

Sean Roberts, Printing a Mediterranean World: Florence, Constantinople, and the Renaissance of Geography, 2013 (*)

Robertson 1968

G. Robertson, Giovanni Bellini, Oxford, 1968 (*)

Robin 1985

F. Robin, La cour d’Anjou-Provence. La vie artistique sous le règne de René, Parijs, 1985 (*)

Robinson 1988

P.R. Robinson, Catalogue of Dated and Datable Manuscripts c. 737-1600 in Cambridge Libraries, 2 vols., Cambridge, 1988 (*)

Roelofs 2005

Pieter Roelofs, “Johan Maelwael. Hofschilder tussen Gelre en Bourgondië”, in: De Gebroeders van Limburg. Nijmeegse meesters aan het Franse Hof 1400-1416, uitgegeven door Rob Dückers & Pieter Roelofs, Ludion, Museum Het Valkhof, Nijmegen, 2005, p. 29-54

Roesner, Avril & Regalado 1990

Edward Roesner, François Avril & Nancy Freeman Regalado, Le “Roman de Fauvel” in the edition of Chaillou de Pesstain: a Reproduction in Facsimile of the Complete Manuscript, Paris, Bibliothèque Nationale, Fonds Français 146, New York, 1990 (*)

Rogers 1982

N. Rogers, Books of Hours produced in the Low Countries for the English Market in the Fifteenth Century, dissertatie, University of Cambridge, 1982 (*)

Rogers 1994

N. Rogers, “The artist of Trinity B.11.7 and his Patrons”, in: England in the Fifteenth Century: Proceedings of the 1992 Harlaxton Symposium, Stamford (1994), p. 170-186 (*)

Rogers 2002

Nicholas John Rogers, “Patrons and Purchasers: Evidence for the original owners of Books of Hours produced in the Low Countries for the English Market”, in: Als Ich Can: Liber Amicorum in Memory of Professor Maurits Smeyers, uitgegeven door Bert Cardon, Jan van der Stock & Dominique Vanwijnsberghe, Corpus of Illuminated Manuscripts 11-12, Low Country Series 8-9, Leuven, Peeters (2002), II, p. 1167-1181

Roland 1996

M. Roland, Buchschmuck in Lilienfelder Handschruften. Von der Gründung des Stiftes bis zur Mitte des 14. Jahrhunderts, Wenen, 1996 (*)

Rollo-Koster & Izbicki 2009

Joelle Rollo-Koster  and Thomas M. Izbicki, A Companion to the Great Western Schism (1378-1417), Series: Brill’s Companions to the Christian Tradition, Volume: 17 (2009) (*)

Romano 2007

Cristina Romano, Matteo da Milano e il Messale Arcimboldi: problematiche e spunti di riflessione, 2007 (*)

Rome 1954

Tentoonstellingscatalogus :

Mostra Storica Nazionale Della Miniatura, Palazzo di Venezia, Rome, 1954

Rome 1997

Tentoonstellingscatalogus :

Le crociate : L’Oriente l’Oriente e l’Occidente da Urbano II a San Luigi, 1096-1270, Rome, Palazzo Venezia, 1997 (*)

Rosenthal 1928

J. Rosenthal,   Bibliotheca medii Aevi Manuscripta: Katalog 83, 90, München, 1928 (*)

Rosenthal 1974

J.E. Rosenthal, The Historiated Canon Tables of the Arenberg Gospels, Ph. D. Columbia University, 1974 (*)

Rothe 1966

E. Rothe, Medieval Book Illumination in Europe, Thames and Hudson, London, 1968, oorspr. Buchmalerei aus zwölf Jahrhunderten, Union Verlag, Berlin, 1966

Rotterdam 2012

tentoonstellingscatalogus

De weg naar Van Eyck. Museum Boijmans Van Beuningen. Rotterdam, 2012.

Rouen 2016-2017

tentoonstellingscatalogus

Tresors enlumines de Normandie

Rouse & Rouse 1988

Richard & Mary Rouse, Cartolai, Illuminators and Printers in Fifteenth-Century Italy: The Evidence of the Ripoli Press (UCLA, University Research Library, Department of Special Collections, Occasional Papers, 1), Los Angeles, 1988, p. 13-94 (*)

Rouse & Rouse 1991

Richard & Mary Rouse, The Registrum Anglie, Corpus of British Medieval Library Catalogues, 2, London: British Library, 1991 (*)

Rouse & Rouse 1996

Richard & Mary Rouse, “Thomas of Wymondswold”, The Journal of the Walters Art Gallery, 54, 1996 (Essays in Honor of Lilian M. C. Randall), p. 61-68

Rouse & Rouse 2000

Richard & Mary Rouse, Manuscripts and Their Makers: Commercial Book Production in Medieval Paris, 1200-1500. Turnhout: Harvey Miller Publishers, 2000

Rouse & Rouse 2004

Richard & Mary Rouse, The Catalogus of Henry de Kirkestede, Corpus of British Medieval Library Catalogues, 11, London: British Library, 2004 (*)

Roux 1997

Céline Roux, Le Maître de Fastolf: un miniaturiste entre France et Angleterre au milieu du XVème siècle, 1997 (*)

Rudy 2016

Kathryn M. Rudy, Piety in Pieces, How Medieval Readers Customized their Manuscripts, 2016 (*)

Russakoff 2013

Anna D. Russakoff, “Collaborative illumination: Jean Pucelle and the visual program of Gautier de Coinci’s Les Miracles de Noste Dame (Paris, BnF, nouv. Acq. Fr. 24541)”, in: Kyunghee Pyun & Anna D. Russakoff, Jean Pucelle: Innovation and Collaboration in Manuscript Painting, Harvey Miller Publishers, Turnhout, 2013, p. 65-90

Russell 1993

John Russell, In August Company, The Collections of the Pierpont Morgan Library, New York, 1993

Ruysschaert 1968

J. Ruysschaert, “Miniaturistes Romains sous Pie II”, in: Enea Silvio Piccolomini – Papa Pio II, Siena, 1968, p. 245-282 (*)

Ruysschaert 1986

J. Ruysschaert, “Il copista Bartolomeo San Vito miniatore padovano a Roma dal 1469 al 1501”, in: Archivio della Societa di storia patria 109 (1986), p. 37-47 (*)